Season - Episode
-
1 - 1The Love Song of Barney Kempinski Sep 14, 1966 -
1 - 2Dare I Weep, Dare I Mourn Sep 21, 1966 -
1 - 3Where It's At Sep 28, 1966 -
1 - 4The Kennedy Wit Oct 05, 1966 -
1 - 5Olympus 7-0000 Oct 12, 1966 -
1 - 6The Confession Oct 19, 1966 -
1 - 7The Canterville Ghost Nov 02, 1966 -
1 - 8The People Trap Nov 09, 1966 -
1 - 9Evening Primrose Nov 16, 1966 -
1 - 10Noon Wine Nov 23, 1966 -
1 - 11The Legend of Marilyn Monroe Nov 30, 1966 -
1 - 12On The Flip Side Dec 07, 1966 -
1 - 13The Brave Rifles Dec 14, 1966 -
1 - 14A Christmas Memory Dec 21, 1966 -
1 - 15The Trap of Solid Gold Jan 04, 1967 -
1 - 16Sex in the Sixties Jan 12, 1967 -
1 - 17General Eisenhower on The Military Churchill Jan 26, 1967 -
1 - 18David Frost's Night Out in London Feb 02, 1967 -
1 - 19The Light Fantastic Feb 09, 1967 -
1 - 20C'est La Vie Feb 23, 1967 -
1 - 21Rodgers and Hart Today Mar 02, 1967 -
1 - 22The American Boy Mar 09, 1967 -
1 - 23I'm Getting Married Mar 16, 1967 -
1 - 24 -
1 - 25The Wide Open Door Apr 20, 1967 -
1 - 26The Human Voice May 03, 1967 -
1 - 27Eat The Document Jan 01, 1970
Overview
Lauren Bacall and John Forsythe star in this lighthearted look at dancing in the United States. The show is subtitled ""How to Tell Your Past, Present, and Maybe Even Your Future Through Social Dancing,"" and the idea is that the lives we live are reflected on the dance floor. John, who appears as a social commentator, tries to prove that the depression produced the Big Apple; that the Cha-Cha, Bossa Nova and Conga are the result of pleasant Latin-American relations; and that the gradual decline of segregation can be traced through the Cake Walk, Castle Walk and Lindy. Lauren portrays an interested observer, mostly interested in John, but she soon decides to prove a point of her own, that even the Minuet, Black Bottom, Hully Gully and Twist are clues to the emancipation of women.